![]() The melody of the song is "appoggiatura" intensive (i.e. Even so, two of the three variations cleverly use a common framework of "Try to see / while you see" for their first and third lines. Unique lyrics are provided here for the first three of the four verses the fourth is an identical repeat of the third. If you double up at the end, the whole thing starts to drag. If you omit the repeat at the beginning you feel rushed into the bridge. In both cases, the doubling up of the verses before the first bridge and the single verse trailing the second bridge works very well. Let's call it the "double bridge with single verse intervening." Over the long run it's one that the Beatles would use often, though I suspect the lack of an intro and inclusion of a complete ending are somewhat unusual variations on the model at least in terms of pop music in general, if not the Beatles themselvesĪ close cousin of this form is the variation where two verses intervene between the bridges, the second of which is often an instrumental solo. ![]() ![]() The form is one of the small number of standard pop song models. We'll discover that "We Can Work It Out" is a deceptively simple example of just how innovative the Boys could be within the framework of what on the surface is just a 2:10 pop single from what we would later knowingly look back on as a prime nodal point of their songwriting career. We begin our studies of the Beatles' songs with an example chosen on purpose roughly from the middle of the catalog it's having been released as one side of a double A single together with " Day Tripper" on the same day as the "Rubber Soul" album. US-release: 6th December 1965 (Double A Single / "Day Tripper") UK-release: 3rd December 1965 (Double A Single / "Day Tripper") Recorded: 20th, 29th October 1965, Abbey Road 2 CD: "Past Masters", Volume 2, Track 2 (Parlophone CDP 90044-2)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |